ANALYSIS OF IMMORALITY IN THE NOVELS OF KIM YUJEONG
Keywords:
Kim Yujeong, immorality, satire, desire, humor, morality, human nature, realism, ethics, colonial societyAbstract
This study analyzes the meaning of immorality as it appears in the novels of Kim Yujeong, demonstrating that it functions not as a mere line of deviation or corruption, but as a literary device for critical reflection on humanity and society. Kim Yujeong’s works, which realistically depict human desire, hypocrisy, and contradictions amid the oppressive reality of colonial rural society, reinterpret these through the language of laughter and satire. Immorality in his literature is not an absence of morality or a fall, but a protest against social hypocrisy and the suppression of human nature – a symbolic expression of instinctive vitality. Using Spring, Spring (봄봄), Camellia (동백꽃), and Manmuban (만무방) as primary examples, the study examines the narrative structures in which immorality is formed, the dynamics of desire, and the functions of satire and humor, thereby revealing the ethical paradox and socially critical nature of Kim Yujeong’s prose.
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