SHORT PROSE GENRES IN TWENTIETH-CENTURY AMERICAN LITERATURE

Authors

  • Djumayeva Gulnora Zokirovna Independent Researcher, Bukhara State University E-mail: intizora_93@mail.ru Author

Keywords:

American literature, twentieth century, short story, novella, modernism, minimalism, postmodernism, story cycle

Abstract

This thesis analyzes the developmental tendencies of short prose in twentieth-century American literature. It examines the transformation of the short story, novella, story cycle, and experimental short fiction within the frameworks of modernism, Southern Gothic, minimalism, and postmodernism. The study demonstrates that magazine culture, compact composition, and the need to represent fragmented modern experience were important factors in the development of these genres.

References

1. Scofield, Martin. The Cambridge Introduction to the American Short Story. Cambridge: Cambridge University Press, 2006.

2. Hunter, Adrian. The Cambridge Introduction to the Short Story in English. Cambridge: Cambridge University Press, 2007.

3. Champion, Laurie. “The Short Story in America.” Oxford Research Encyclopedia of Literature. Oxford University Press, first published 2017; updated 2018.

4. Boddy, Kasia. “Modernizing the American Short Story.” In The Cambridge History of American Modernism, edited by Mark Whalan, Cambridge University Press, 2023, pp. 253–267.

5. Bercovitch, Sacvan, ed. The Cambridge History of American Literature. Vol. 6: Prose Writing, 1910–1950. Cambridge: Cambridge University Press, 2002.

6. Brooks, C., & Warren, R. P. (1959). Understanding Fiction. Prentice Hall.

7. Flora, J. M. (1985). The English Short Story: 1945–1980. Twayne Publishers.

8. May, C. E. (1994). The Short Story: The Reality of Artifice. Twayne Publishers.

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Published

2026-09-10